“The most important aspects of classical art,” observed German historian and archaeologist Johann J. Winckelmann, “is its noble simplicity and calm grandeur.” As an archaeologist, Winckelmann became inspired by the ancient artifacts being recovered at the ruins of Pompeii and Herculaneum. In the late 1700s, the popular stylization in European art was baroque and rococo styles. To critics, these styles were vain and overly ostentatious to be truly considered art. Rococo art, for example, symbolized European aristocracy with its attention on great scale and themes of worldly pleasures. Likewise, baroque art became an institutionalized art because it often portrayed the grandeur and power of the Catholic Church, which supported the style. The new age of painters became disenchanted with this status quo. Occurring concurrent with societal and political shifts in Europe, neoclassical style was born.
Continue reading to THE ARTICLE »
|
||||||
|
“The only way for us to become great”, observed Johann Joachim Winckelmann “lies in the imitation of the Greeks”. With this idea, the German-born art historian Johann Joachim Winckelmann encapsulated the movement of neoclassicism. Seeking to recapture the essence of classical Greek and Roman art, neoclassicism became the widespread movement in visual art in the mid-18th century. It gained popularity partly as a backlash against the baroque and rococo styles that concerned themselves with aristocracy, excess, institutionalism, and vanity. This sentimentalism towards civilizations past was not limited to art. It was rooted in the societal and political happenings of the time, especially in Europe. Neoclassicism became more than an art style to many countries: it became intertwined with the moral revolutions of the century. To Winckelmann, art needed to move its audience and teach virtue. Much like in the civilizations of Greece and Rome, art represents and serves humanity. With the rise of reality television, it has become banal for young girls to become child stars. Unfortunately, with the present attention deficit disorder society, their success is often brief and limited. Knowing how easily fame can be achieved as well as lost, it magnifies the impressiveness of the accomplishments of Angelica Kauffmann. Born in 1741 in Chur, Switzerland, Angelica Kauffman’s father, Joseph Johann Kauffmann had minimal success of his own as a painter. But, Angelica Kauffmann was quick to adopt his best qualities with her fascination for stark colors. At a young age, Angelica Kauffmann developed a reputation for herself that would evolve into becoming arguably the most prominent female painter of the 18th century and one of the leading artists of early neoclassical art . Timeless Forever: Ancient Greek and Roman Architecture that inspires todayAs Karl Friedrich Schinkel was designing the Altes Museum in Berlin in 1825, he had an ambition to redefine the typology of museum architecture from thereafter. In doing so, he sought to construct a building that married elements of the past with components of the present and future – in essence, to build something timeless. Schinkel turned to the Greek Stoa in Athens as a model for the Altes Museum. Subscribers to neoclassicism recognized that the Greek revival movement was established to create an importance to their individual structures, just as classical Greeks did with their prized designs, and thus the function of buildings were an important qualification for whether neoclassical design was appropriate. Classical Roman architecture was similar to that of the ancient Greeks, particularly when one
Tags: архитектура греции, Neoclassical Architecture, ancient greece museums, neo-classical greek architechture, ancient rome architecture, why is greek and roman architecture similar?, neoclassical_architecture |
||||||
|
Copyright © 2012 NeoClassic - All Rights Reserved |
||||||