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Influence of Neoclassicism in Modern Architecture

Imitation is sincerest form of flattery…

In architecture, there is no such thing as an original design. Elements of the new are sourced to the old. Sometimes this credit to the past is given explicitly, such as was the case during the neoclassical movement which patterned itself after the past by recapturing the classic Greek and Roman architecture.  However, even as the popularity of neoclassical architecture began in the mid-18th century and peaked by the late 19th century as the popular style, elements of this classical style still exists, even though categorized as a different genre. Indeed, neoclassical architecture has become so conventional that architects popularly label neoclassicism as “traditional architecture.” As a result, the influence of neoclassicism can be seen in modern architecture, and remains anything but extinct.

Though understanding the difficulties in assigning chronological orders of popular architectural movements, the first variants of the modern architecture developed in the early 20th century with the rise of profound technological and engineering developments. Modern architecture sought to reflect the engineering feats of humankind, as exemplified by
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From Death Arises Life

A desire to return to more basic
Symmetry and order
“Traditional Architecture”
- NEOCLASSICAL ARCHITECTURE

There exists a popular cliché that is repeated to us – undoubtedly you have heard it- that goes: “From death arises new life.” Naturally, it is commonly associated with religious creed in the form of life after death; a message that death is not to be dreaded or feared for it produces something better and more perfect in its wake. Yet, the notion that the destruction of one entity will yield something better extends beyond theocracy. Many facets of life, politics, and idea are built on the foundations of previous or extinct entities. Nowhere is this more evident than in architecture. Neoclassical architecture represented a revolution in its truest sense. It was a reaction against the Baroque and Rococo, and an attempt to revive the essence of classical  Greco Roman forms from an epoch long past.
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